They continued this success with Love Alive IV, released in 1989, which remained in the top position on the gospel charts for 39 weeks.nn Hawkins gave very little thought to a career in music until 1968. This was surpassed by their third album, Love Alive III, which topped the million sales mark. Their second album, Love Alive II, sold nearly 300,000 copies. The group's debut album, Going Up Yonder, released in 1975, spent several months on the Top 40 gospel chart compiled by Billboard. The leader of the Love Center Choir, Hawkins led the group to two Dove Awards, presented by the Gospel Music Association, and multiple Grammy nominations. The digital version was edited by Lisa Lambert.The younger brother of gospel vocalist and choir director Edwin Hawkins, Bishop Walter Hawkins was one of gospel's most successful performers. "It's not just about salsa music, but how we can impact the community in a way where we empower them to do better," said Rodriguez.Īlly Schweitzer edited the audio version of this story. That could include programs on financial literacy, mental health and community development, Rodriguez said.Īlready, the museum has teamed up with the NYPD's youth program to help bridge the gap between police and the community through music. Part of the museum's mission is to influence the future, along with educating the present and preserving the past. The next pop-up is planned for Labor Day weekend in September. "Even when it comes to listening to salsa, you think of that authentic, home-cooked meal." "When I think of Puerto Rico, I think of old school salsa," she said. Visual artist Shawnick Rodriguez, who goes by ArtbySIR, showed a painting of band instruments inside a colonial-style Puerto Rican home. Fans listened and danced to classic and new artists, among other things. The International Salsa Museum hosted its first pop-up event last year in conjunction with the New York International Salsa Congress. "If we don't preserve this, we're definitely going to lose the essence of where this music came from," Rodriquez said, adding that salsa is "deeply embedded in our DNA as Latinos and as African Americans." "From there it became mambo, guaracha, guaguanco, son montuno, rumba."Īnd from there, the music was brought to New York by West Indian migrants and revolutionized into the sounds salseros know today. "The origins of salsa came from Africa with its unique, percussive rhythms and made its way through the Atlantic, into the Caribbean," said the museum's co-founder, Willy Rodriguez. She associates salsa with old-school Puerto Rico.įrom Africa to The Bronx, and then beyond Shawnick Rodriguez/ArtbySIR Shawnick Rodriguez, who goes by ArtbySIR, showed her visual art at the museum's first pop-up. Puerto Rican and living in New York, Torres calls herself a descendant of the genre.Įven people who don't share a common language speak salsa, she said, with salsa events attracting people from all over the world. "We get to help preserve our oral histories." "We get to be the ones who help preserve history – meaning Afro-Latinos, meaning people from New York, from The Bronx, from Brooklyn, Puerto Rico, Dominican Republic," Torres said. Having the museum in The Bronx is also about providing access to a community that is often overlooked, she said. ![]() ![]() The legacy of salsa should be held in the place it was popularized, said board member Janice Torres. It currently hosts large pop-ups while its board seeks out a permanent home, and the museum is not expected to occupy its own building in the next five years.įor a permanent space, the museum founders have their heart set on a decommissioned military facility called Kingsbridge Armory in The Bronx. The museum is also evolving, much like the music it is dedicated to. Unlike other museums around New York teeming with displays and hushed voices, the International Salsa Museum promises to be lively and flexible, with plans to eventually include a recording studio, along with dance and music programs. Now the city is home to the first museum dedicated to the music that traces its roots to Africa. The Bronx even earned the title of "El Condado de la Salsa," or "The Borough of Salsa." The heart of salsa - the fast-tempo, horn-heavy music and its hip-swinging dance style - has beat loudly and strongly in New York for decades.
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